![]() Not that there's much time to waste on reflection - an entire mountain blows up 25 seconds later.įor the first and last time with his runner-up franchise, Stallone attempts to circle a square. The resulting viscera is documented with all the flair of a building implosion. Instead of ducking when a lone soldier opens fire on him, Rambo takes the time to string up an explosive arrow. He disguises himself as a mud bank and waits for the most dramatic moment to crack open an eye. Rambo's defensive playbook gets thrown out with his most expensive gear he's a slasher villain reunited with his campground of choice. "Octopussy" is all about old-fashioned pomp and circumstance - even the nail-biting finale is just a gussied-up wing walker act.Īnd what spectacular havoc it is. A serious Cold War story lurks among the gags, but there's enough of those to be found in the films ahead. Not only can he swing through the jungle higher and faster than Harrison Ford's dusty archaeologist, but Bond yells like Tarzan as he does it. Snicker through popcorn as he invades the enemy compound via alligator submarine. Thrill as he threads the needle of an airplane hangar in a one-man jet. Marvel as the spy with a painted tear on his cheek defuses a nuclear bomb. Forget the nouveau riche blockbuster class - the 007-ring circus had been touring for decades, and could still show them all a thing or two. Moore's climactic clown disguise is not an insult, but a mission statement. But "Octopussy" is a go-for-broke barnburner that marks the height of Bond's crowd-pleasing excess. "The Living Daylights," better espionage. ![]() "For Your Eyes Only" is a better thriller. ![]() Roger Moore, then 55, wanted to retire after the previous film and only returned after James Brolin threatened to replace him. Not use your details for any other purpose.Its title does it no favors. Visit and how you move around them) to run and improve this service/site. Including that collected via ‘cookies’ (which tell us which of our web pages you The BBC will use the information you provide, The BBC is not responsible for the content of external websites Once upon a time Seagal's fighting made him look pretty deadly. Seagal gets one good fight sequence - using his hands since the rest of him is so out of shape - leaving Ja Rule to fight most of the battles while schooling the porky martial artist in some ghetto speak. When a terrorist group storms the hi-tech fortress to break out the first convict scheduled to be executed there, Sascha goes into "Under-Siege"-meets-"Die-Hard" mode and takes them on with the help of Rule and the rest of the prison's inmates. Trying to track down the crime lord responsible for the death of his wife, Sascha befriends Rule's gangsta, Nick, and serves time with him in a newly reopened Alcatraz prison. Trawling for that golden demographic which'll keep him off the straight-to-video slide a little longer, "Half Past Dead" sees Seagal copying the limited success of the "Exit Wounds" formula by hanging with the homies and drafting in rapper Ja Rule for some gunplay. ![]() This is as dreary an 'action' film as any Seagal has put his name to (well, maybe not his environmental message movie "On Deadly Ground"). After being shot by the cops, Sascha (Seagal) flatlines, sees the tunnel and the white light, but decides to spurn heaven to come back to kick some more butt. "Half Past Dead" is the name dreamt up for Seagal's near-death experience in the first reel of the movie. What exactly does it promise? A movie about a time bomb? A terrorist strike? A killer clockmaker? As movie titles go, the clunking moniker of Steven Seagal's latest attempt to convince the world he's still an action man is pretty pathetic.
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